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  <id>urn:lj:livejournal.com:atom1:snowmit</id>
  <title>♥ ¢¢ ♥ ♥</title>
  <subtitle>Stories and Other Things, Also</subtitle>
  <author>
    <name>Tim!</name>
  </author>
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  <updated>2009-07-14T17:46:12Z</updated>
  <lj:journal userid="576236" username="snowmit" type="personal"/>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:224920</id>
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    <title>Cyborgs and Architects 4</title>
    <published>2009-07-14T17:46:12Z</published>
    <updated>2009-07-14T17:46:12Z</updated>
    <category term="speculation"/>
    <content type="html">&lt;p&gt;&lt;a href="http://www.flickr.com/photos/18548283@N00/3269088696/" title="Close Encounters of the Bombay Beach Kind" target="_blank"&gt;&lt;img src="http://farm4.static.flickr.com/3526/3269088696_981b73b41f.jpg" alt="Close Encounters of the Bombay Beach Kind" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;small&gt;&lt;a href="http://creativecommons.org/licenses/by-nc-sa/2.0/" title="Attribution-NonCommercial-ShareAlike License" target="_blank"&gt;&lt;img src="http://www.quietbabylon.com/wp-content/plugins/photo-dropper/images/cc.png" alt="Creative Commons License" border="0" width="16" height="16" align="absmiddle" /&gt;&lt;/a&gt; &lt;a href="http://www.photodropper.com/photos/" target="_blank"&gt;photo&lt;/a&gt; credit: &lt;a href="http://www.flickr.com/photos/18548283@N00/3269088696/" title="slworking2" target="_blank"&gt;slworking2&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;
&lt;p&gt;Impromptu guest post! I&amp;#8217;m taking the liberty of reposting this comment about &lt;a href="http://www.quietbabylon.com/2009/07/10/cyborgs-and-architects-3/"&gt;3&lt;/a&gt; by Jonah from &lt;a href="http://stillcrapulent.wordpress.com/"&gt;still crapulent&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;This cyborg-architecture tension relies on defining architecture as a discipline dealing only with static structures, however. I&amp;#8217;m (clearly) not up on my architectural theory, speculative or otherwise, so I don&amp;#8217;t know to what extent this definition has been problematized, but it seems to me to be deceptive.&lt;/p&gt;
&lt;p&gt;Why must we restrict &amp;#8220;architecture&amp;#8221; only to stationary built environments? Why do we think of the camper van primarily as a vehicle, as opposed to a building? Are there other productive ways of thinking about architecture and mobility? It is certainly relevant to thinking about the architecture of temporary structures, or does it somehow cease to be a matter of architectural consideration when it becomes a collapsable, portable building?&lt;/p&gt;
&lt;p&gt;On the flip side, walking houses, floating castles, fortresses on wheels (baba yaga&amp;#8217;s chickenleg house, the castle in the sky, howl&amp;#8217;s moving castle, etc.) abound in myth, fantasy and sci-fi, but what about modern cruise ships, themselves larger in size and occupancy than the majority of stationary buildings one encounters? Or a space station, which is necessarily mobile, or for that matter, any large (existing or projected) space cruiser? Vessel v. domicile? The Nostromo? The Death Star?&lt;/p&gt;
&lt;p&gt;Obviously in -many- of these cases there is still the an imbalance in the issue of investment of effort/resources/capital at work, but it hardly applies across the board, or at least applies variably enough as to complicate the dichotomy being set up.&lt;/p&gt;
&lt;p&gt;On a non-terrestrial, or further a non-resource-providing plane, need the homesteader not be nomadic?&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;
&lt;cite&gt;Originally posted as a &lt;a href="http://www.quietbabylon.com/2009/07/10/cyborgs-and-architects-3/#comment-12604423"&gt;comment&lt;/a&gt; by &lt;a href="http://disqus.com/people/stillcrapulent/"&gt;stillcrapulent&lt;/a&gt; on &lt;a href="http://www.quietbabylon.com"&gt;Quiet Babylon&lt;/a&gt; using &lt;a href="http://disqus.com"&gt;Disqus&lt;/a&gt;.&lt;/cite&gt;&lt;/p&gt;
&lt;p&gt;Quite right.&lt;/p&gt;
&lt;p&gt;I still think there is still some room for me to make a parallel between the self-reliant cyborg and nomad v. the infrastructure reliant building-dweller and farmer. After all, most of Jonah&amp;#8217;s examples are pretty fantastical. Sort of edge cases for the blurry line between self and environmental intervention.&lt;/p&gt;
&lt;p&gt;But I can&amp;#8217;t really have it both ways, can I? Not given that I spent &lt;a href="http://www.quietbabylon.com/2009/07/08/cyborgs-and-architects-2/"&gt;2&lt;/a&gt; calling the extremely nomadic Apollo program an example of architectural thinking.&lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/07/14/cyborgs-and-architects-4/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/07/14/cyborgs-and-architects-4/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:224636</id>
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    <title>Cyborgs and Architects 3</title>
    <published>2009-07-10T14:15:29Z</published>
    <updated>2009-07-10T14:15:29Z</updated>
    <category term="speculation"/>
    <content type="html">&lt;p&gt;&lt;a href="http://www.flickr.com/photos/78364563@N00/3420684026/" title="locust" target="_blank"&gt;&lt;img src="http://farm4.static.flickr.com/3644/3420684026_2aa7572af5.jpg" alt="locust" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;small&gt;&lt;a href="http://creativecommons.org/licenses/by-nc-sa/2.0/" title="Attribution-NonCommercial-ShareAlike License" target="_blank"&gt;&lt;img src="http://www.quietbabylon.com/wp-content/plugins/photo-dropper/images/cc.png" alt="Creative Commons License" border="0" width="16" height="16" align="absmiddle" /&gt;&lt;/a&gt; &lt;a href="http://www.photodropper.com/photos/" target="_blank"&gt;photo&lt;/a&gt; credit: &lt;a href="http://www.flickr.com/photos/78364563@N00/3420684026/" title="estherase" target="_blank"&gt;estherase&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;
&lt;p&gt;As I conceive it, the conflict of cyborgs and architecture is the story of nomads and homesteaders, recast in very 21st century terms. Cyborgs are fundamentally mobile. They are individuals who can go anywhere and adapt easily. Architectural artifacts stay put. So to, the people who depend on and must maintain them.&lt;/p&gt;
&lt;p&gt;There has been a deep distrust between these groups for as long as there has been agriculture, I imagine.&lt;/p&gt;
&lt;p&gt;The morality story of &lt;a href="http://en.wikisource.org/wiki/The_Ants_and_the_Grasshopper"&gt;the ants and the grasshopper&lt;/a&gt; is a lesson about the importance of an architectural kind of hard work. The ants, one of earth&amp;#8217;s other infrastructural species, are cast as the hard-working foresightful protagonists. The grasshopper, failing to anticipate the future, dies in the snow.&lt;/p&gt;
&lt;p&gt;Here are some alternate versions of the story: 1) When the winter comes, the grasshopper leaves for warmer climes, returning with the spring. 2) The grasshopper is actually a locust and a horde of them descends on the ant stores, stripping all the food before moving on to the next place. When winter comes, the ants starve in their empty corridors.&lt;/p&gt;
&lt;p&gt;It&amp;#8217;s Ranchers vs Indians, Romans vs Barbarians, Farmers vs Swarms, Europe vs Gypsies, Bees vs Bears, Ottomans vs Bedouins, Locals vs Tourists.&lt;/p&gt;
&lt;p&gt;To built a home, to run a farm, this is a capitally intensive project. You invest an enormous amount of effort into moulding a stretch of territory to your particular plans. You have to wait quite some time between the sowing and the reaping. Ant-like patience and foresight are your watchwords.&lt;/p&gt;
&lt;p&gt;To be a nomad requires a a different kind of watchword. You arrive at a patch of land, use it, and then leave it to regenerate. Foresight is the ability to know when to move, where to go, and when to come back. &lt;/p&gt;
&lt;p&gt;Small wonder that sparks fly when there is an encounter between these approaches. Homesteaders don&amp;#8217;t want the nomads exploiting all that investment in seeds, roads, sewers, policing. Nomads were planning to pass through and now there are fences, tunnels, and dudes with Tasers.&lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/07/10/cyborgs-and-architects-3/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/07/10/cyborgs-and-architects-3/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:224073</id>
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    <title>Cyborgs and Architects 2</title>
    <published>2009-07-08T14:59:48Z</published>
    <updated>2009-07-08T14:59:48Z</updated>
    <category term="speculation"/>
    <content type="html">&lt;p&gt;&lt;a href="http://www.flickr.com/photos/25678284@N03/3663407895/" title="Hope" target="_blank"&gt;&lt;img src="http://farm4.static.flickr.com/3635/3663407895_1131c728e0.jpg" alt="Hope" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;small&gt;&lt;a href="http://creativecommons.org/licenses/by-nc-sa/2.0/" title="Attribution-NonCommercial-ShareAlike License" target="_blank"&gt;&lt;img src="http://www.quietbabylon.com/wp-content/plugins/photo-dropper/images/cc.png" alt="Creative Commons License" border="0" width="16" height="16" align="absmiddle" /&gt;&lt;/a&gt; &lt;a href="http://www.photodropper.com/photos/" target="_blank"&gt;photo&lt;/a&gt; credit: &lt;a href="http://www.flickr.com/photos/25678284@N03/3663407895/" title="KayVee.INC" target="_blank"&gt;KayVee.INC&lt;/a&gt;&lt;/small&gt;&lt;br /&gt;
In the 1960s NASA was still entertaining the idea that humans might actually go to space and, you know, stay. While they were designing and building rocket ships &amp;#8211; little bubbles of earth to carry us up &amp;#8211; they were pondering an alternative. Rocketships and moonbases are a fundamentally architectural approach to the problem of space travel. What if instead of making a human-friendly environment IN space, we adapted humans TO space? If you make the people more durable, you don&amp;#8217;t need to build costly space craft, you don&amp;#8217;t need to terraform planets and moons. &lt;strong&gt;You can stay as long as you want.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;The cyborgs envisioned by NASA don&amp;#8217;t look like the chrome gods and monsters of the 1980s. It&amp;#8217;s the 1960s and the tools being investigated are plastics and drug regimens. Finding ways to make people breathe slower but think faster. Changing biochemistry to maximize efficiency throughout the organism. Forget food pills and DDT, this was true better living through chemistry.&lt;/p&gt;
&lt;p&gt;Meanwhile, in the popular culture, super villains were busy building increasingly elaborate infrastructure to mirror their plans for world domination. Moon bases and volcano bases. Everything is very base-like. These are very cold-war fantasies. Very architectural. You will KNOW we were here because we will LEAVE MONUMENTS (and blow up yours).&lt;/p&gt;
&lt;p&gt;Matt Jones &lt;a href="http://magicalnihilism.com/2008/11/09/who-stole-my-volcano/"&gt;points out&lt;/a&gt; (click on that link, you won&amp;#8217;t be sorry) that this is changing. A lot of today&amp;#8217;s villains get by without secret bases. They jump straight to blowing up our stuff without having the decency to build stuff of their own for us to hit.&lt;/p&gt;
&lt;p&gt;Asymmetrical warfare is very cybernetic. Every guerrilla needs to be very mobile and adaptable. And what do they do when they strike? They blow up buildings and knock down monuments.&lt;/p&gt;
&lt;p&gt;Sure, Al Qaeda has secret cave bases, but the bastards keep abandoning them. These are camp sites. The Nazis had official architecture. &lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/07/08/cyborgs-and-architects-2/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/07/08/cyborgs-and-architects-2/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:222640</id>
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    <title>If Plants Had Culture</title>
    <published>2009-06-26T14:32:49Z</published>
    <updated>2009-06-26T14:32:49Z</updated>
    <category term="design"/>
    <category term="fiction"/>
    <category term="speculation"/>
    <content type="html">&lt;p&gt;&lt;a href="http://www.flickr.com/photos/29638083@N00/3074264449/" title="Nature and Architecture" target="_blank"&gt;&lt;img src="http://farm4.static.flickr.com/3177/3074264449_66ccc045f1.jpg" alt="Nature and Architecture" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;small&gt;&lt;a href="http://creativecommons.org/licenses/by/2.0/" title="Attribution License" target="_blank"&gt;&lt;img src="http://www.quietbabylon.com/wp-content/plugins/photo-dropper/images/cc.png" alt="Creative Commons License" border="0" width="16" height="16" align="absmiddle" /&gt;&lt;/a&gt; &lt;a href="http://www.photodropper.com/photos/" target="_blank"&gt;photo&lt;/a&gt; credit: &lt;a href="http://www.flickr.com/photos/29638083@N00/3074264449/" title="lrargerich" target="_blank"&gt;lrargerich&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;
&lt;h3&gt;((An incomplete idea))&lt;/h3&gt;
&lt;p&gt;Begin with the idea of seeds as dense packets of &lt;a href="http://www.daisyginsberg.com/projects/gardenofthings.html"&gt;shippable information&lt;/a&gt;. Seeds contain (self)assembly instructions. Just add water.&lt;/p&gt;
&lt;p&gt;Think about &lt;a href="http://en.wikipedia.org/wiki/Meme"&gt;memes&lt;/a&gt; vs. genes. Memes allow an evolution that is faster than the rate of gene evolution. There is the rapid transmission, sure. But there is also the internal workings, self-reflection and modification of memes. A meme can undergo a great deal of evolution within a single entity before it gets spit back out into the world. &lt;/p&gt;
&lt;p&gt;What would it look like if plants had access to memes? What if plants had rapid learning? They&amp;#8217;d still need to be plants, so no moving and talking like people. Otherwise, we&amp;#8217;ve just recreated &lt;a href="http://www.gwarrenstiles.com/projects/tempest/characters/TreeBeard.6.21.06.jpg"&gt;Treebeard&lt;/a&gt;. &lt;/p&gt;
&lt;p&gt;Think about machines. In some crude sense, &lt;a href="http://en.wikipedia.org/wiki/RepRap_Project"&gt;RepRaps&lt;/a&gt; are plants. They build other RepRaps but they themselves don&amp;#8217;t change or learn. The learning is instantiated in the next generation of machine that the RepRap builds. Generations can be radically (instead of gradually) different &amp;#8211; an advantage afforded by all of the information processing that happens between generations of RepRaps.&lt;/p&gt;
&lt;p&gt;Give plants memes and let them instantiate their learning in the (plant)conscious design of the next generation of seeds. Give them access to the ability to modify their behaviour almost as quickly as humans modify ours. Let them adapt rapidly to our rapid cultural shifts. Why should Monsanto have all the fun?&lt;/p&gt;
&lt;p&gt;&lt;em&gt;A weed appears in the Middle East with seed pods that are as satisfying to smash as a florescent tube. When smashed near the right kind of soil, chemical triggers set off a fiery light show. Youthful Tehran is overrun with the stuff.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In Paris, a species of flower predicts next season&amp;#8217;s colours and changes its children accordingly. A bizarre symbiosis occurs as fashion designers derive inspiration from plant and plant derives inspiration from the runway. All the big houses guard their greenhouses jealously. Chanel&amp;#8217;s radical &amp;#8220;Agent Orange&amp;#8221; spring line causes a scandal.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;On the rootops of Detroit, a species we call shiftspice changes flavours from generation to generation. Chefs prize them, trading and collecting them the way that we trade vintages of wine. &amp;#8220;Is that a  Brightmoor late 2012?&amp;#8221; Collector-prospector-burglars creep along the eaves with highly portable harvesting gear. Their discoveries are sold to restaurants all around the world.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;In Tokyo, a kind of balcony fruit that seemed incredibly successful is learning about fads and backlash. While in Abbotswood, truce is declared as gardeners learn that updating your landscaping to the latest fashion can be something of an impossibility if the current plants don&amp;#8217;t want to be removed.&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&lt;em&gt;Rumours circulate of a grass in L.A. with hallucinogenic properties and pollen spores that are activated by fire. If you hotbox with male and female angiosperm in the same bowl, the trip is said to be twice as intense.&lt;/em&gt; &lt;/p&gt;
&lt;p&gt;&lt;em&gt;Authorities in São Paulo engage in a futile attempt to crack down on the practice of &amp;#8220;body pollenating&amp;#8221; at festivals, after revellers discover a flowering vine that, in the right conditions and quantities, produces an indescribable contact-high.&lt;/em&gt;&lt;/p&gt;
&lt;h3&gt;From a plant&amp;#8217;s-eye view&lt;/h3&gt;
&lt;p&gt;&lt;lj-embed id="21" /&gt;&lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/06/26/if-plants-had-culture/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/06/26/if-plants-had-culture/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:222063</id>
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    <title>Steve Brill&amp;#8217;s News Cartel - A Consumer&amp;#8217;s Perspective</title>
    <published>2009-06-24T19:26:51Z</published>
    <updated>2009-06-24T20:25:19Z</updated>
    <category term="criticism"/>
    <category term="business"/>
    <category term="lies and statistics"/>
    <content type="html">&lt;p&gt;Steve Brill, entrepreneur, law writer, founder of Court TV and recently defunct &lt;a href="http://blogs.wsj.com/middleseat/2009/06/22/un-clear-registered-traveler-company-shuts-down/"&gt;CLEAR&lt;/a&gt; is trying to &lt;a href="http://www.newsweek.com/id/194478"&gt;save journalism&lt;/a&gt; by reversing the trend of free news online. He gave a briefing today and while I did not hear it, &lt;a href="http://twitter.com/NiemanLab"&gt;@NeimanLab&lt;/a&gt; posted the slides &lt;a href="http://twitter.com/NiemanLab/status/2309869238"&gt;here&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;Let me say that I LOVE the idea of a kind of iTunes for news. It is my fondest wish that I not have a separate login and password for every friggin&amp;#8217; site. I&amp;#8217;d also love to be able to pay some reasonable rate to support good journalism. Like the App Store, a unified easy payment system might free up news sites to experiment with more granular payment models. I hope they do, and I hope that they understand that the results need to be consumer-friendly and mindful of the information-firehose context of content online.&lt;/p&gt;
&lt;p&gt;I&amp;#8217;m not a producer of news, but as a heavy consumer, the future of journalism in the face collapse is of great interest to me. As a periodic entrepreneur, I like playing with numbers. Let&amp;#8217;s take a look at Steve&amp;#8217;s.&lt;/p&gt;
&lt;h3&gt;Slide 4&lt;/h3&gt;
&lt;p&gt;&lt;a href="http://www.flickr.com/photos/lot49a/3657685400/" title="Steven Brill Slide4 by lot49a, on Flickr"&gt;&lt;img src="http://farm4.static.flickr.com/3393/3657685400_780ba1b5a8.jpg" width="500" height="381" alt="Steven Brill Slide4" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;I had NO IDEA that my time and attention was so valuable. And all this time I&amp;#8217;ve been GIVING it away to newspapers and magazines. Heck, I&amp;#8217;ve been PAYING some of them for the privilege. (Hey advertisers, call me! Let&amp;#8217;s work out something where you give me the $500 directly.) But hey, look at those online numbers. Pretty grim, huh? &lt;/p&gt;
&lt;p&gt;Taking &lt;a href="http://www.boston.com/business/globe/articles/2007/11/06/newspaper_circulation_still_on_decline/"&gt;these figures&lt;/a&gt; from the Boston Globe, there are only about  20 times as many online readers as as print readers, where one needs 100 unique visitors for every lost print subscriber.&lt;/p&gt;
&lt;h3&gt;Slide 5&lt;/h3&gt;
&lt;p&gt;&lt;a href="http://www.flickr.com/photos/lot49a/3657685580/" title="Steven Brill Slide5 by lot49a, on Flickr"&gt;&lt;img src="http://farm4.static.flickr.com/3305/3657685580_4859022d26.jpg" width="500" height="375" alt="Steven Brill Slide5" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;This is where Steve comes to the rescue. There&amp;#8217;s an untapped demand for paying for the news! 92% of us would be willing to pay $300/yr (on average)! That sounds pretty good. &lt;/p&gt;
&lt;p&gt;Pay close attention to the chart on the right. Steve is confusing us by playing around with medians and means. The chart tells us that 21% of us are ready to pay pay up to $600, 24% would pay that &amp;#8220;average&amp;#8221; $300, and 45% of us will pay NO MORE than $120. (There&amp;#8217;s an unlabelled 10%. Presumably, they are ready to pay INFINITY dollars.)&lt;/p&gt;
&lt;p&gt;Using a mean here is disingenuous. If we charge $25/mo. for online news, we will not see 92% of visitors subscribing. We&amp;#8217;ll see 55%. The ones willing to pay more? We&amp;#8217;ll have to work out some kind of premium scheme, I suppose. So let&amp;#8217;s word it another way. 55% of consumers are willing to pay $25/mo or more. 45% are willing to pay $10/mo or less. That begins to look like a lot less money.&lt;/p&gt;
&lt;p&gt;Why this matters comes into sharp focus when we look at&amp;#8230;&lt;/p&gt;
&lt;h3&gt;Slide 12 &amp;amp; Slide 13&lt;/h3&gt;
&lt;p&gt;&lt;a href="http://www.flickr.com/photos/lot49a/3657685688/" title="Steven Brill Slide12 by lot49a, on Flickr"&gt;&lt;img src="http://farm4.static.flickr.com/3408/3657685688_b44cf7a891_m.jpg" width="240" height="179" alt="Steven Brill Slide12" /&gt;&lt;/a&gt; &lt;a href="http://www.flickr.com/photos/lot49a/3657685780/" title="Steven Brill Slide13 by lot49a, on Flickr"&gt;&lt;img src="http://farm4.static.flickr.com/3386/3657685780_dce219c8bb_m.jpg" width="240" height="180" alt="Steven Brill Slide13" /&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;You&amp;#8217;re going to want to click on those and look at the fine print. The subscription models Steve has up here assume $7-8/month per subscriber, along with some per-article users who are reading only 6 stories every month. Let me be the first to say that if you are a newspaper publisher and you imagine a world where people only want to read 6 of your articles per month, YOU ARE A BAD NEWSPAPER PUBLISHER.  I recognize that the idea is that these will be longtail micropayments intended to capture revenue from drive-by readership or whatever, so let&amp;#8217;s retreat back to the monthly subscriptions (presumably, all-you-can-eat).&lt;/p&gt;
&lt;p&gt;Steve&amp;#8217;s numbers in Slide 5 don&amp;#8217;t specify whether the amount people were willing to pay was intended to be per-site-they-love or overall. Given that most households only subscribe to a single newspaper and a few magazines, I think we can assume that it&amp;#8217;s a monthly budget for online news in general.&lt;/p&gt;
&lt;p&gt;At $7.50 a month, we&amp;#8217;ve wiped out the budget of 45% of our online readership. They can&amp;#8217;t afford a second subscription. Even our 24% &amp;#8216;average&amp;#8217; readers are subscribing to only three things. Heaven help them if they want to sample from a lot of sites. At $0.25 a story, they get to read 100 stories per month across the entire Internet.&lt;/p&gt;
&lt;p&gt;According to Google&amp;#8217;s RSS reader, I receive 300-400 items, scan through about 30-100 of them, and read some subset of those PER DAY, not counting links from friends/Facebook/Twitter. The &lt;a href="http://www.theglobeandmail.com/"&gt;Globe and Mail&lt;/a&gt; RSS feed alone sends me 180 stories daily (note to Globe and Mail: Guys! That&amp;#8217;s too many!). The flood is so bad that I don&amp;#8217;t even subscribe to other newspaper feeds. It&amp;#8217;s easier and better to click on curated links to the best articles, as picked out by friends and trusted blogs. Steve wants me to rely on a few trusted all-I-can-eat subscriptions or limit myself to 3 articles a day (assuming I&amp;#8217;m &amp;#8216;average&amp;#8217;).&lt;/p&gt;
&lt;p&gt;Moving from numbers to a boring annecdote: Last week a friend sent me a link to a &lt;a href="http://www.ft.com/home/us"&gt;Financial Times&lt;/a&gt; article. I&amp;#8217;d gone over my article limit for the month. I went and read something else.  (the end) The brutal reality of online news and opinion is that we are inundated with ORDERS OF MAGNITUDE more things to read and watch than we have time to read and watch them.&lt;/p&gt;
&lt;p&gt;I&amp;#8217;m sympathetic with the need to fund excellent journalism and writing, but schemes that are tone deaf to the state of online news are doomed to fail. Hoping that consumers will be willing to limit themselves to a few subscriptions per month while asking them to pay (for magazines at least) 10 times as much as they used to just isn&amp;#8217;t reasonable.&lt;/p&gt;
&lt;p&gt;Unless the briefing contained a lot of context and nuance that were not captured by the slides, this does not look like the solution. If Brill &amp;#038;co. are going to convince consumers that their new service is a good value proposition, they&amp;#8217;ve go an uphill battle.&lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/06/24/steve-brills-news-cartel-a-consumers-perspective/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/06/24/steve-brills-news-cartel-a-consumers-perspective/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:221752</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/221752.html"/>
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    <title>"You've truly been a remarkable asset to the iTunes Store Family"</title>
    <published>2009-06-24T16:24:20Z</published>
    <updated>2009-06-24T16:24:20Z</updated>
    <content type="html">((This exchange with Apple Customer Care displays the most remarkable information to effusiveness ratio. I've highlighted the bits that contain actual info in bold. The rest was pure golden warm feelings.))&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Customer First Name : Tim&lt;br /&gt;&lt;br /&gt;I can sign in and download music and apps both from iTunes and from my iPhone. But when I try to leave a review for an app, I get asked to login over and over again. It's not the error that you get when you put in the wrong password, it's just asking for the same login  &lt;br /&gt;screen over and over again.&lt;br /&gt;&lt;br /&gt;Lots of other people are having the same problem./&lt;br /&gt;&lt;a href="http://discussions.apple.com/thread.jspa?threadID=2045581&amp;amp;start=0&amp;amp;tstart=0"&gt;http://discussions.apple.com/thread.jspa?threadID=2045581&amp;amp;start=0&amp;amp;tstart=0&lt;/a&gt;&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hello Tim,&lt;br /&gt;&lt;br /&gt;I hope this email reaches you in good spirits. My name is Dxxxx and I will be assisting you today. I understand that you are being asked to log in over and over when trying to leave a review. Being an iTunes Store Customer myself, I can understand how this situation might make you feel. I will be more than happy to help you resolve this issue to your satisfaction.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;That issue has now been resolved.&lt;/b&gt; Try again and you should be able to leave one without any issues. If not, I await your reply with the necessary items to information to better assist you. Thank you for being a member of our iTunes Store community Tim. Have a great day!&lt;br /&gt;&lt;br /&gt;Sincerely,&lt;br /&gt;&lt;br /&gt;Dxxxx&lt;br /&gt;iTunes Store Customer Support&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hello Tim,&lt;br /&gt;&lt;br /&gt;This is a courtesy follow-up. I haven't heard from you and wanted to make sure that your request was handled to your satisfaction.&lt;br /&gt;&lt;br /&gt;You've truly been a remarkable asset to the iTunes Store Family and as such I want to make sure I resolve all your concerns. &lt;b&gt;So if you do not respond, I will be closing this request.&lt;/b&gt; I hope that you continue to enjoy the iTunes Store and would like to thank you for being such a wonderful member of our family.&lt;br /&gt;&lt;br /&gt;If you find yourself with any other questions or concerns, please do  not hesitate to send me an email. Have a wonderful day.&lt;br /&gt;&lt;br /&gt;Sincerely,&lt;br /&gt;&lt;br /&gt;Dxxxx&lt;br /&gt;iTunes Store Customer Support&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Hi Dxxxx,&lt;br /&gt;&lt;br /&gt;Thanks very much for your effusive assistance.&lt;br /&gt;&lt;br /&gt;I've taken a moment today to try the fix and everything seems to be in order. Are you able to tell me what had gone wrong?&lt;br /&gt;&lt;br /&gt;Thanks for all your help!&lt;br /&gt;&lt;br /&gt;Tim&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hello Tim,&lt;br /&gt;&lt;br /&gt;You're very welcome. I'm glad to hear that you are happy with the level of service received. &lt;br /&gt;&lt;br /&gt;Nothing makes Apple happier than to hear that we have pleased our customers. I hope that you continue to enjoy the iTunes Store. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;It was an error in our system that affected everyone.&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Thanks again for being a part of the iTunes Store family. You're business is greatly appreciated. Be blessed.&lt;br /&gt;&lt;br /&gt;Sincerely,&lt;br /&gt;&lt;br /&gt;Dxxxx&lt;br /&gt;iTunes Store Customer Support</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:221398</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/221398.html"/>
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    <title>Dubai&amp;#8217;s Palm Islands. Waiting to be drowned by the thing that made them possible.</title>
    <published>2009-06-22T02:19:36Z</published>
    <updated>2009-06-22T02:19:36Z</updated>
    <category term="uncategorized"/>
    <content type="html">&lt;p&gt;&lt;a title="fronds in need, be fronds indeed" href="http://www.flickr.com/photos/24317509@N05/3216930448/" target="_blank"&gt;&lt;img class="alignright" style="border: 0pt none;" src="http://farm4.static.flickr.com/3366/3216930448_628569b5c5_m.jpg" border="0" alt="fronds in need, be fronds indeed" width="180" height="240" /&gt;&lt;/a&gt; ((Below emphasis is mine))&lt;/p&gt;
&lt;h3&gt;2007: &lt;a href="http://www.uaeinteract.com/docs/Developer_ensures_islands_will_be_safe_from_rising_sea_levels/23365.htm"&gt;Developer ensures islands will be safe from rising sea levels&lt;/a&gt;&lt;/h3&gt;
&lt;blockquote&gt;&lt;p&gt;Nakheel, which is the developer of The Palm islands and The World, says &lt;strong&gt;it followed the Intergovernmental Panel on Climate Change&amp;#8217;s (IPCC) estimation of a rise of 30cm to 50cm&lt;/strong&gt; by 2100 when it prepared its plans for the islands. &amp;#8220;It goes without saying that both short and long-term [sea level] rises are always considered in the design of Nakheel coastal projects,” said Dr Louay A Mohammad, a scientist with Nakheel.&lt;/p&gt;
&lt;p&gt;&amp;#8220;The upper end of the range is adopted by Nakheel, which is in line with International Marine and Coastal Structures Design Practices. We are therefore confident that the sustainability of our waterfront projects is ensured in the long term.” &lt;strong&gt;The developer, however, did not comment on the recent report from international ocean expert Stefan Rahmstorf, published in the journal Science, which said the increase was more likely to be 1.4 metres&lt;/strong&gt; by 2100 – nearly triple the IPCC estimation.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;h3&gt;2009: &lt;a href="http://www.bloomberg.com/apps/news?pid=20601124&amp;amp;sid=afmw1nT6inhA"&gt;Oceans Rising Faster Than UN Forecast, Scientists Say&lt;/a&gt;&lt;/h3&gt;
&lt;blockquote&gt;&lt;p&gt;Ocean levels have been rising by 3.1 millimeters a year since 2000, a rate that’s predicted to grow, according to the study. The projections of &lt;strong&gt;sea levels rising by a meter&lt;/strong&gt; this century compare with the 18 to 59 centimeters (7 to 23 inches) forecast by the IPCC.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;((Oops))&lt;/p&gt;
&lt;p&gt;&lt;small&gt;&lt;a title="Attribution-NonCommercial-ShareAlike License" href="http://creativecommons.org/licenses/by-nc-sa/2.0/" target="_blank"&gt;&lt;img src="http://www.quietbabylon.com/wp-content/plugins/photo-dropper/images/cc.png" border="0" alt="Creative Commons License" width="16" height="16" align="absmiddle" /&gt;&lt;/a&gt; &lt;a href="http://www.photodropper.com/photos/" target="_blank"&gt;photo&lt;/a&gt; credit: &lt;a title="saharsh" href="http://www.flickr.com/photos/24317509@N05/3216930448/" target="_blank"&gt;saharsh&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/06/21/dubais-palm-islands-waiting-to-be-drowned-by-the-thing-that-made-them-possible/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/06/21/dubais-palm-islands-waiting-to-be-drowned-by-the-thing-that-made-them-possible/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:221105</id>
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    <title>The Gyre</title>
    <published>2009-06-17T14:57:21Z</published>
    <updated>2009-06-17T14:57:21Z</updated>
    <category term="complaining"/>
    <content type="html">&lt;p&gt;This is a review of a documentary.&lt;/p&gt;
&lt;p&gt;When I first heard about the &lt;a href="http://en.wikipedia.org/wiki/Great_Pacific_Garbage_Patch"&gt;Garbage Patch in the North Pacific Gyre&lt;/a&gt;, I thought about Neale Stephenson&amp;#8217;s &lt;a href="http://en.wikipedia.org/wiki/Snow_Crash"&gt;Snow Crash&lt;/a&gt;. There&amp;#8217;s this refugee raft city, cobbled together around a dead tanker that is slowly drifting counter-clockwise from Asia to the States. It&amp;#8217;s been at sea for years, turning into this kind of Darwinian pool of only the most vicious and desperate survivors and the whole thing&amp;#8217;s going to come ashore in California&amp;#8230;&lt;/p&gt;
&lt;p&gt;The second time I heard about the Gyre, I was in Montreal. A young woman had just been accepted into a graduate program and she was telling me about this continent of trash that was out there.&lt;/p&gt;
&lt;p&gt;&amp;#8220;It&amp;#8217;s a whole floating island,&amp;#8221; she said.&lt;/p&gt;
&lt;p&gt;She wanted to do something with plastic-eating fungii for her thesis. She was going to do some research and see if she could seed the floating islands with mushrooms. See if the continent could support life, a kind of enormous artificial island. A sixth Olympic ring the size of one or more Texases.&lt;/p&gt;
&lt;p&gt;I haven&amp;#8217;t been in touch with her, so I don&amp;#8217;t know what happened to her thesis project when her research inevitably discovered that her garbage island is just as fictional as Stephenson&amp;#8217;s raft city. What&amp;#8217;s actually out there is much, much worse.&lt;/p&gt;
&lt;h3&gt;Toxic Garbage Island&lt;/h3&gt;
&lt;p&gt;The documentary, by Vice&amp;#8217;s &lt;a href="http://www.vbs.tv/"&gt;VBS.tv&lt;/a&gt; follows a group of filmmakers who take a ride out to the Gyre on the Agalita, one of the few vessels doing research into the Gyre. It&amp;#8217;s divided into 3 parts and at some point during the second part, I began to get impatient. When were we going to see the garbage continent?&lt;/p&gt;
&lt;p&gt;Getting to the Gyre takes seven days by boat. For the first hour of the documentary, you are given a glimpse into each day. The crew get more and more bored and frustrated. Toward the end of part 2, the Captain explains to the filmmakers that they aren&amp;#8217;t going get their money shot.&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;&amp;#8220;Everybody says show me a picture of the Garbage. Well, it&amp;#8217;s spread out, it&amp;#8217;s diffuse. This is an enormous ocean. You&amp;#8217;re not gonna find a dump, there is no trash dump down here.&amp;#8221;&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;Plastic breaks down in the sun. The pieces get smaller and smaller but not nothing eats the polymers. So you end up increasingly tiny bits of plastic suspended in the water. The area the size of one or more Texases is filled with plastic garbage at various stages of breaking down. It&amp;#8217;s plastic soup. Chunky plastic soup. Inhospitable to life, chunky, plastic soup.&lt;/p&gt;
&lt;p&gt;Water in the Gyre is relatively stable. Before the plastic started to accumulate, biological stuff did. The micro-organisms that feed on that stuff thrived and the creatures that ate them thrived all the way up to large mammals and sea birds. A lot of creatures came to expect that the Gyre would be a buffet. They still go up there, looking for food. So you end up with &lt;a href="http://algalita.org/gallery2/main.php?g2_itemId=20"&gt;this&lt;/a&gt; (warning: that image is disturbing as hell).&lt;/p&gt;
&lt;p&gt;True to the captain&amp;#8217;s word, the filmmakers never do get their money shot. But after sitting through an hour of movie voyage, when they come across a construction helmet and then a floating jar and then a tangle of net you begin to get a sense. There are bits of garbage everywhere. They are seven days out to sea, just about as far from humans and land as they can possibly be and they are picking up stuff that you&amp;#8217;d expect to see in a poorly maintained marina. There&amp;#8217;s a lot of it.&lt;/p&gt;
&lt;h3&gt;The Sublime&lt;/h3&gt;
&lt;p&gt;In University, talking about the sublime, we looked at Kant&amp;#8217;s interpretation; the feeling you can get of utter smallness and powerlessness in the face of a vast universe. To experience this feeling, you need to come across events or things that reveal your weakness without threatening your existence. A safe enough distance from you that you can contemplate it but immediate enough that that you know for certain that you are powerless in the face of it.&lt;/p&gt;
&lt;p&gt;When we used examples, we&amp;#8217;d normally talk about stuff like watching a roaring thunderstorm from a cave. We&amp;#8217;d compare being chased by a bear (terror, not sublime) to observing the pounding majesty of a massive waterfall (sublime). Sitting in class, &amp;#8216;lo those many years ago, it never occurred to me that I&amp;#8217;d have this feeling in the face of a floating sea of suffocating garbage.&lt;/p&gt;
&lt;h3&gt;Watching The Documentary&lt;/h3&gt;
&lt;p&gt;You can see the whole thing for free on VBS.tv.&lt;br /&gt;Toxic Garbage Island &lt;a href="http://www.vbs.tv/watch/toxic/garbage-island-1-of-3"&gt;Part 1&lt;/a&gt;, &lt;a href="http://www.vbs.tv/watch/toxic/garbage-island-2-of-3"&gt;Part 2&lt;/a&gt;, &lt;a href="http://www.vbs.tv/watch/toxic/garbage-island-3-of-3"&gt;Part 3&lt;/a&gt;&lt;/p&gt;
&lt;h3&gt;The Monsanto House of the Future&lt;/h3&gt;
&lt;p&gt;&lt;lj-embed id="19" /&gt;&lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/06/17/the-gyre/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/06/17/the-gyre/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:220550</id>
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    <title>Vancouver people: got a crash pad? Want a meal cooked?</title>
    <published>2009-06-15T17:13:54Z</published>
    <updated>2009-06-15T17:13:54Z</updated>
    <content type="html">Hey Vancouver pals,&lt;br /&gt;&lt;br /&gt;my friend Emily Cook is going to be in Vancouver and is looking to stretch her starving artist budget a little. Know anyone who might have a spot for her?&lt;br /&gt;&lt;br /&gt;Tim&lt;br /&gt;-=-=-=&lt;br /&gt;&lt;br /&gt;Hi Tim,&lt;br /&gt;&lt;br /&gt;I'm going to be in Vancouver the nights of the 3ed and 4th and then&lt;br /&gt;maybe again the night of the 8th. Do you know anyone who could put me&lt;br /&gt;up it would be super super awesome! I would totally make them dinner&lt;br /&gt;!well on on the 4th I'll be at a wedding but still!&lt;br /&gt;&lt;br /&gt;Thanks,&lt;br /&gt;&lt;br /&gt;Emily</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:220324</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/220324.html"/>
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    <title>DRM: The Fight Against Posterity</title>
    <published>2009-06-02T16:39:35Z</published>
    <updated>2009-06-02T21:38:42Z</updated>
    <category term="criticism"/>
    <category term="futurity"/>
    <category term="the long term"/>
    <content type="html">&lt;p&gt;Check out &lt;a href="http://arstechnica.com/tech-policy/news/2009/05/landmark-study-drm-truly-does-make-pirates-out-of-us-all.ars"&gt;this article&lt;/a&gt; on Ars Technica about law prof. Patricia Akester&amp;#8217;s study examining the effects of DRM on the legal use of copyrighted works. As you&amp;#8217;re reading it, bear in mind that due to laws similar to the &lt;a href="http://en.wikipedia.org/wiki/DMCA"&gt;DMCA&lt;/a&gt; all over the world, it is often illegal to bypass DRM encryption, even if copyright law allows you to make a copy.&lt;/p&gt;
&lt;p&gt;Why is this important?&lt;/p&gt;
&lt;p&gt;In a storage locker in Halifax, there is a small box which theoretically contains copies of every essay I wrote in high school. These essays are stored on a stack of floppy disks. I&amp;#8217;ll probably never read them again. For this to be otherwise, a lot of things would need to come true.&lt;/p&gt;
&lt;ol&gt;
&lt;li&gt;I figure out which Mac OS I was running (System 6?).
&lt;li&gt;I find a copy of the OS and get it running either on old hardware (which I also find) or virtualized.
&lt;li&gt;I find a compatible floppy drive.
&lt;li&gt;I find a compatible copy of the word processor (WriteNow).
&lt;li&gt;The disks have dramatically exceeded their estimated &lt;a href="http://webdev.ccac.edu/talkin/storage.htm#floppy%20disks"&gt;2-year lifespan&lt;/a&gt;.
&lt;/ol&gt;
&lt;p&gt;In contrast, consider my University essays, all of which I can still open and read. This is possible because I have been transferring the files from computer to computer over the past 12 years. There is an unbroken chain of digital pack-ratting from the MacBook I&amp;#8217;m using now to the Pentium 166 I built in 1997.&lt;/p&gt;
&lt;p&gt;The loss of my essays (grades 10-12) are not a big loss to society. But it serves to illustrate a problem that plagues archivists. Digital content is very easy to copy in the short term but degrades very quickly in the medium and long term. To keep digital content alive, you have to keep it moving. Kevin Kelly calls this &lt;a href="http://blog.longnow.org/2008/12/11/movage/"&gt;Movage&lt;/a&gt;.&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;Anything you want moved to the future has to be given attention to keep it moving forward.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;In order to preserve content against the decay of laughably short-lived media and compatibilty, archivists need to make copies - early and often. We&amp;#8217;re not used to thinking of it that way. We&amp;#8217;re used to thinking of preservation as a kind of stasis. We think of climate controlled rooms and white gloves and sealed vaults.&lt;/p&gt;
&lt;p&gt;In digital, stasis is death. Stasis is the BBC&amp;#8217;s endangered &lt;a href="http://en.wikipedia.org/wiki/BBC_Domesday_Project#Preservation"&gt;Domesday Project&lt;/a&gt;, trapped on laserdiscs, needing hardware that had nearly disappeared in 2002 (interestingly, &lt;a href="http://catless.ncl.ac.uk/Risks/25.44.html#subj7"&gt;they knew this was coming&lt;/a&gt; but the archivists failed to keep the data alive).&lt;/p&gt;
&lt;p&gt;It is bad enough for librarians, what with the fires, earthquakes, moisture, theft, time, and other disasters eating away at the content they seek to preserve. Copyright holders have made it all the worse, by preventing the one thing going for digital - easy, short-term, perfect copies - from happening in a legal setting.&lt;/p&gt;
&lt;p&gt;DRM schemes make it illegal for archivists to do their jobs.&lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/06/02/drm-the-fight-against-posterity/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/06/02/drm-the-fight-against-posterity/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
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    <id>urn:lj:livejournal.com:atom1:snowmit:219781</id>
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    <title>I need a research team (and a salary for writing)</title>
    <published>2009-06-02T04:53:29Z</published>
    <updated>2009-06-02T04:53:29Z</updated>
    <content type="html">I remember reading an article sometime after 2001 (well after, I think?) about Millennial cults. The article drew parallels between the fundamentalism of today and the cults from the OTHER turn of the Millenium, 999. Argued that millennial cults were at their most deadly during the years after the Date of Portent had come and gone.&lt;br /&gt;&lt;br /&gt;Does this ring a bell for anyone? Does anyone have a link for me?&lt;br /&gt;&lt;br /&gt;(Sorry to people who follow me in multiple places, this is driving me crazy and I have been looking for this article for 3 months.)</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:219380</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/219380.html"/>
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    <title>6 things that give me a crushing sense of scale</title>
    <published>2009-05-29T14:26:59Z</published>
    <updated>2009-05-29T14:26:59Z</updated>
    <category term="the long term"/>
    <category term="lies and statistics"/>
    <content type="html">&lt;ol&gt;
&lt;li&gt;&lt;strong&gt;The Photography of Chris Jordan.&lt;/strong&gt;
&lt;p&gt;Chris Jordan takes very, very big numbers and represents them in photographs. &lt;a href="http://prisonphotography.wordpress.com/2009/01/28/prisoners-as-waste-the-photography-of-chris-jordan/"&gt;Here&amp;#8217;s one&lt;/a&gt; that he made with folded prison uniforms standing in for Americans in prison. More on his &lt;a href="http://www.chrisjordan.com/"&gt;official site&lt;/a&gt;.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;The 30 Worst Atrocities of the 20th Century.&lt;/strong&gt;
&lt;p&gt;I found &lt;a href="http://users.erols.com/mwhite28/atrox.htm"&gt;this page&lt;/a&gt; by accident several years ago. I end up going back to it when discussions about who&amp;#8217;s the worst mass murdered in history come up. The section at the end with the pattern in per-capita killings? Chilling.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;The Slow Rise of the Oceans.&lt;/strong&gt;
&lt;p&gt;Apparently, even if all of the polar ice were to melt today, it would take &lt;a href="http://openthefuture.com/2009/04/the_sea_level_rise_mystery.html"&gt;up to 50 years&lt;/a&gt; for that water circulate throughout the world. The planet is so big, and the ocean currents are so powerful, that the water will remain trapped in a kind of slowly dispersing bulge of fluid.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;The Problem of Storing Nuclear Waste.&lt;/strong&gt;
&lt;p&gt;This is something that I want to come back to in some detail as a design problem. For now, take a look at this &lt;a href="http://www.ocrwm.doe.gov/factsheets/doeymp0115.shtml"&gt;proposed monument&lt;/a&gt; to warn people away from the waste site (wherever it ends up). The waste is going to be dangerous for at least 10,000 years. This is the approximate length of recorded human history. How do you communicate a warning forward to people who will be at least as different from us as we are from the Babylonians?&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;That We&amp;#8217;re Currently in an Ice Age.&lt;/strong&gt;
&lt;p&gt;This is an &lt;a href="http://en.wikipedia.org/wiki/Interglacial"&gt;interglacial period&lt;/a&gt;, a time of relative warmth in the midst of an ice age which is &lt;a href="http://en.wikipedia.org/wiki/Quaternary_glaciation"&gt;2-3 million years&lt;/a&gt; old. During the past 400,000 years, warm periods like ours have tended to last 10,000 to 30,000 years. The cold has tended to last much longer. Our current (geologically brief) warm period has been happening for about 11,000 years - again, roughly the length of human history.&lt;/p&gt;
&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;This Video.&lt;/strong&gt;&lt;br /&gt;
&lt;lj-embed id="17" /&gt;
&lt;p&gt;&lt;a href="http://vimeo.com/4505537"&gt;Galactic Center of Milky Way Rises over Texas Star Party&lt;/a&gt; from &lt;a href="http://vimeo.com/user1706723"&gt;William Castleman&lt;/a&gt; on &lt;a href="http://vimeo.com"&gt;Vimeo&lt;/a&gt;.&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/05/29/6-things-that-give-me-a-crushing-sense-of-scale/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/05/29/6-things-that-give-me-a-crushing-sense-of-scale/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:218468</id>
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    <title>Books Learn About Pirates</title>
    <published>2009-05-25T17:51:15Z</published>
    <updated>2009-05-26T15:40:22Z</updated>
    <category term="economics"/>
    <category term="business"/>
    <content type="html">&lt;p&gt;&lt;em&gt;((If you are coming here from Bruce Sterling's Twitter link (hi!) can I take a moment to point you to &lt;a href="http://www.quietbabylon.com/"&gt;Quiet Babylon&lt;/a&gt; which is where posts like this show up (I mirror them here for my friends) or perhaps &lt;a href="http://mini.quietbabylon.com/"&gt;mini.Quiet Babylon&lt;/a&gt; which is a Tumblog of related stuff? They've got RSS feeds and all that exciting stuff.))&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;&lt;em&gt;((Pulled this article from the &lt;a href="http://www.nytimes.com/2009/05/12/technology/internet/12digital.html?_r=1&amp;amp;hp#"&gt;New York Times&lt;/a&gt;. Found it so striking that I&amp;#8217;m going to take a page from Bruce Sterling&amp;#8217;s blog and make comments in double parentheses.))&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;#8220;Ursula K. Le Guin, the science fiction writer, was perusing the Web site Scribd last month when she came across digital copies of some books that seemed quite familiar to her. No wonder. She wrote them, including a free-for-the-taking copy of one of her most enduring novels, “The Left Hand of Darkness.”&lt;/p&gt;
&lt;p&gt;&amp;#8220;Neither Ms. Le Guin nor her publisher had authorized the electronic editions. To Ms. Le Guin, it was a rude introduction to the quietly proliferating problem of digital piracy in the literary world. “I thought, who do these people think they are?” Ms. Le Guin said. “Why do they think they can violate my copyright and get away with it?” &lt;em&gt;((Because they can and they are?))&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;#8220;This would all sound familiar to filmmakers and musicians who fought similar battles — with varying degrees of success — over the last decade. But to authors and their publishers in the age of Kindle, it’s new and frightening territory.&amp;#8221; &lt;em&gt;((Oh, hello books, welcome to the Internet. The marginal cost of making copies of you just dropped to zero. Guess where your price is headed.))&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;#8220;For a while now, determined readers have been able to sniff out errant digital copies of titles as varied as the “Harry Potter” series and best sellers by Stephen King and John Grisham. But some publishers say the problem has ballooned in recent months as an expanding appetite for e-books has spawned a bumper crop of pirated editions on Web sites like Scribd and Wattpad, and on file-sharing services like RapidShare and MediaFire.&amp;#8221; &lt;em&gt;((Again, that&amp;#8217;s RapidShare, MediaFire, Scribd and Wattpad for all your pirated book needs.))&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;“It’s exponentially up,” said David Young, chief executive of Hachette Book Group, whose Little, Brown division publishes the “Twilight” series by Stephenie Meyer, a favorite among digital pirates.&amp;#8221; &lt;em&gt;((And everyone else!))&lt;/em&gt; “Our legal department is spending an ever-increasing time policing sites where copyrighted material is being presented.” &lt;em&gt;((I wonder if anyone at corporate is taking the time to figure out what the ROI is on putting more bodies on the hunt.))&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;#8230;&lt;/p&gt;
&lt;p&gt;“It’s a game of Whac-a-Mole,” said Russell Davis, an author and president of the Science Fiction and Fantasy Writers of America, a trade association that helps authors pursue digital pirates. “You knock one down and five more spring up.” &lt;em&gt;((I wonder if Mr Davis realizes that he&amp;#8217;s just succinctly explained why it is that his strategy is doomed to fail. You are playing Whac-a-Mole but with the intention of keeping those moles DOWN FOR GOOD. That&amp;#8217;s not how the game works. It might be time to find another game.))&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;#8220;Sites like Scribd and Wattpad, which invite users to upload documents like college theses and self-published novels, have been the target of industry grumbling in recent weeks, as illegal reproductions of popular titles have turned up on them. Trip Adler, chief executive of Scribd, said it was his “gut feeling” &lt;em&gt;((They don&amp;#8217;t keep detailed stats over there at Scribd?))&lt;/em&gt; that unauthorized editions represented only a small fraction of the site’s content.&lt;/p&gt;
&lt;p&gt;&amp;#8220;Both sites say they immediately remove illegally posted books once notified of them. The companies have also installed filters to identify copyrighted work when it is uploaded. “We are working very hard to keep unauthorized content off the site,” Mr. Adler said. &lt;em&gt;((But, you know, Whac-a-mole))&lt;/em&gt;&lt;/p&gt;
&lt;p&gt;&amp;#8220;Several publishers declined to comment on the issue, fearing the attention might inspire more theft.&amp;#8221; &lt;em&gt;((Those sites once again: RapidShare, MediaFire, Scribd or Wattpad - Huge variety, same low price!))&lt;/em&gt; &amp;#8220;For now, electronic piracy of books does not seem as widespread as what hit the music world, when file-sharing services like Napster threatened to take down the whole industry.&amp;#8221;&lt;/p&gt;
&lt;p&gt;&amp;#8230;&lt;/p&gt;
&lt;p&gt;&amp;#8220;Until recently, publishers believed books were relatively safe from piracy because it was so labor-intensive to scan each page to convert a book to a digital file.&amp;#8221; &lt;em&gt;((And yet, if you care to look for it, there are scans of just about any comic book you could imagine available online. Also, have any of these guys been to Asia? Much as with DVDs it&amp;#8217;s all pirated photocopies of books. I&amp;#8217;d like to see an article about THAT kind of piracy.))&lt;/em&gt; &amp;#8220;What’s more, reading books on the computer was relatively unappealing compared with a printed version.&amp;#8221;&lt;/p&gt;
&lt;p&gt;&amp;#8220;Now, with publishers producing more digital editions, it is potentially easier for hackers to copy files. And the growing popularity of electronic reading devices like the Kindle from Amazon or the Reader from Sony make it easier to read in digital form. Many of the unauthorized editions are uploaded as PDFs, which can be easily e-mailed to a Kindle or the Sony device.&amp;#8221;&lt;/p&gt;
&lt;p&gt;&amp;#8230;&lt;/p&gt;
&lt;p&gt;The full article is here: &lt;a href="http://www.nytimes.com/2009/05/12/technology/internet/12digital.html?_r=1"&gt;Print Books Are Target of Pirates on the Web&lt;/a&gt;&lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/05/25/books-learn-about-pirates/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/05/25/books-learn-about-pirates/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:217893</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/217893.html"/>
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    <title>Whoops, I wrote a rant.</title>
    <published>2009-05-25T16:09:27Z</published>
    <updated>2009-05-25T16:09:27Z</updated>
    <content type="html">So the NDP is &lt;a href="http://middleclass.ndp.ca/node/231"&gt;running a survey&lt;/a&gt;. It was meant to be about the economic downturn, but I wrote this instead:&lt;br /&gt;&lt;i&gt;Are you a young Canadian? If so, what kind of challenges are you and your peers facing because of the economic downturn?&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Canadian Politics are stagnant. All the parties have their entrenched interests and go-to base of supporters and all we get is the same tired rhetoric and sloganeering. Every election, people come along promising change and the end of rhetoric and every election, that turns out to be rhetoric as well.&lt;br /&gt;&lt;br /&gt;Over and over, we don't see nuanced understandings of the issues, we see mass media style tagline responses from all sides. I could write the press release for each party on any new issue. Everyone says they care about ordinary Canadians, whatever that means.&lt;br /&gt;&lt;br /&gt;Mass media style thinking is failing for companies and it's toxic for politics. The largest voting block is the people who don't vote anymore. We don't need leaders. We need collaborators. We need distributed networks of people working together across ideological lines to make Canada a better place.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:217630</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/217630.html"/>
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    <title>Living in the Future.</title>
    <published>2009-05-21T00:08:12Z</published>
    <updated>2009-05-21T00:52:26Z</updated>
    <category term="futurity"/>
    <category term="complaining"/>
    <content type="html">&lt;blockquote&gt;&lt;p&gt;&amp;ldquo;The future&amp;rdquo;&amp;rsquo;s glamor, its sexiness. It&amp;rsquo;s never just one day. We don&amp;rsquo;t imagine May 20, 2050. The present is almost always the one given day.&lt;br /&gt; Unless something starkly Ubertrending happens, and usually something bad. And that&amp;rsquo;s when the present feels like &amp;ldquo;the future&amp;rdquo;.&lt;br /&gt; &amp;ndash;William Gibson on &lt;a href="http://twitter.com/GreatDismal/status/1864525541"&gt;twitter&lt;/a&gt;.&lt;/p&gt;&lt;/blockquote&gt; &lt;p&gt;I feel like I live in the future ALL THE TIME.&lt;/p&gt; &lt;p&gt;My camera is a sleek flat rectangle just like in Transmetropolitan. Except that my camera is also a &lt;a href="http://macamour.com/blog/wp-content/uploads/2008/06/rose-mcgowan-iphone.jpg"&gt;phone and a networked computer&lt;/a&gt; which contains &lt;a href="http://maps.google.com/"&gt;a map of the world&lt;/a&gt; that knows where I am along with a &lt;a href="http://www.wikipedia.org/"&gt;growing portion&lt;/a&gt; all of the knowledge.&lt;/p&gt; &lt;p&gt;I have the Internet. Everyone has the Internet. We&amp;rsquo;re giving out &lt;a href="http://laptop.org/en/"&gt;laptops to children&lt;/a&gt;, except that this might not matter, because &lt;a href="http://www.nytimes.com/2009/05/10/weekinreview/10giridharadas.html"&gt;everyone wants a cellphone&lt;/a&gt; instead. What&amp;rsquo;s a cellphone? It&amp;rsquo;s the word we use to prevent our brains freaking from the fact that we all carry around personal radios, (with way more function than Star Trek communicators) that link us to a global satellite network. Like talking about wireless cable.&lt;/p&gt; &lt;p&gt;&lt;a target="_blank" href="http://www.flickr.com/photos/11370723@N03/2916220292/" title="The hand of Doom (Mister Disaster serie 08)"&gt;&lt;img width="160" height="240" border="0" align="right" alt="The hand of Doom (Mister Disaster serie 08)" src="http://farm4.static.flickr.com/3264/2916220292_2d19a345a0_m.jpg" style="border: 0pt none ;" class="alignright" /&gt;&lt;/a&gt;I just got back from 2 weeks in Thailand on business. I didn&amp;rsquo;t have working water every morning, but everyone had working miracle gizmos that we barely noticed. I got frustrated when network difficulties made it kind of choppy to talk to &lt;a href="http://www.skype.com/welcomeback/"&gt;a teleconference&lt;/a&gt; of people all around the globe. For free!&lt;/p&gt; &lt;p&gt;The nation state is under pressure from &lt;a href="http://en.wikipedia.org/wiki/Failed_state"&gt;without&lt;/a&gt; and &lt;a href="http://crooksandliars.com/john-amato/gov-perry-talks-succession-texas-tea-pa"&gt;within&lt;/a&gt;. Corruption &lt;a href="http://www.guardian.co.uk/politics/2009/may/17/mps-pay-expenses-poll-tax"&gt;is rampant&lt;/a&gt; and &lt;a href="http://www.google.ca/search?q=Parliament+has+failed"&gt;crushing&lt;/a&gt;. More and more corporations and individuals are becoming truly transnational.&lt;/p&gt; &lt;p&gt;Every day, people upload free video of new &lt;a href="http://www.ted.com/talks/david_merrill_demos_siftables_the_smart_blocks.html"&gt;marvels&lt;/a&gt; and &lt;a href="http://www.worldwidetelescope.org/Home.aspx"&gt;wonders&lt;/a&gt;. They&amp;rsquo;re commercializing &lt;a href="http://www.teslamotors.com/"&gt;Electric Cars&lt;/a&gt;!&lt;/p&gt; &lt;p&gt;Flying robots (ROBOTS!) are used to &lt;a href="http://www.latimes.com/news/nationworld/world/la-fgw-predator13-2009may13,0,2239914.story"&gt;fight wars&lt;/a&gt; with shadowy terrorist organizations on the edge of law-bound civilization.&lt;/p&gt; &lt;p&gt;Need I mention that the world might be facing either an &lt;a href="http://edition.cnn.com/2009/US/01/29/economic.crisis.explainer/"&gt;economic&lt;/a&gt; or &lt;a href="http://news.bbc.co.uk/2/hi/science/nature/4202649.stm"&gt;environmental&lt;/a&gt; apocalypse (or both!).&lt;/p&gt; &lt;p&gt;We have &lt;a href="http://www.nasa.gov/mission_pages/station/main/index.html"&gt;a space station&lt;/a&gt; now, though it doesn&amp;rsquo;t really &lt;a href="http://www.technewsworld.com/story/57874.html"&gt;work very well&lt;/a&gt;. The Chinese have &lt;a href="http://www.ctv.ca/servlet/ArticleNews/story/CTVNews/20090110/china_space_090111?s_name=&amp;amp;no_ads="&gt;a space program&lt;/a&gt;. And possibly &lt;a href="http://www.nationaljournal.com/njmagazine/cs_20080531_6948.php"&gt;an army of hackers&lt;/a&gt;.&lt;/p&gt; &lt;p&gt;Did I mention, there were &lt;a href="http://www.boston.com/bigpicture/2009/03/pirates_of_somalia.html"&gt;PIRATES&lt;/a&gt;? Not, like, fun swashbuckling pirates, but &lt;a href="http://www.npr.org/templates/story/story.php?storyId=103657301"&gt;high tech, globally networked pirates&lt;/a&gt;.&lt;/p&gt; &lt;p&gt;This is not the bright gleaming future of certain kinds of science fiction, but it is the messy, complicated future of the science fiction I grew up with. It may be wrong on the details, but in tone, this is sometimes terrifyingly close to the 1980s worlds of Gibson and Sterling and that whole crowd. I think it&amp;rsquo;s telling that the crew I grew up reading are writing &lt;a href="http://books.google.com/books?id=drYIAAAACAAJ&amp;amp;dq=William+gibson&amp;amp;ei=PJ0USpTnMZWQyATsoZTqCQ"&gt;closer&lt;/a&gt; to the &lt;a href="http://books.google.ca/books?id=PoAOAAAACAAJ&amp;amp;dq=Bruce+Sterling&amp;amp;lr=&amp;amp;ei=S5YUSoHfDo3WzASr--TuBw"&gt;present&lt;/a&gt; these days (or even &lt;a href="http://en.wikipedia.org/wiki/Cryptonomicon"&gt;the past&lt;/a&gt;).&lt;/p&gt; &lt;p&gt;P.S. &lt;a href="http://www.warrenellis.com/?p=6901"&gt;Nuclear Lighthouses&lt;/a&gt;.&lt;/p&gt; &lt;p&gt;&lt;small&gt;&lt;a target="_blank" href="http://creativecommons.org/licenses/by-nc-sa/2.0/" title="Attribution-NonCommercial-ShareAlike License"&gt;&lt;img width="16" height="16" border="0" align="absmiddle" alt="Creative Commons License" src="http://www.quietbabylon.com/wp-content/plugins/photo-dropper/images/cc.png" /&gt;&lt;/a&gt; &lt;a target="_blank" href="http://www.photodropper.com/photos/"&gt;photo&lt;/a&gt; credit: &lt;a target="_blank" href="http://www.flickr.com/photos/11370723@N03/2916220292/" title="Midnight-digital"&gt;Midnight-digital&lt;/a&gt;&lt;/small&gt;&lt;/p&gt; &lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/05/20/living-in-the-future/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/05/20/living-in-the-future/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:217515</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/217515.html"/>
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    <title>Threat Level Context</title>
    <published>2009-05-08T04:39:42Z</published>
    <updated>2009-05-08T11:06:05Z</updated>
    <category term="complaining"/>
    <category term="politics"/>
    <content type="html">&lt;p&gt;&lt;a target="_blank" href="http://www.flickr.com/photos/20158323@N04/3091394494/" title="Mannequin in a Cage"&gt;&lt;img border="0" align="right" alt="Mannequin in a Cage" src="http://farm4.static.flickr.com/3244/3091394494_0af3ab8da1_m.jpg" class="alignright" /&gt;&lt;/a&gt; Two stories appeared in rapid succession today on Wired&amp;rsquo;s excellent &lt;a href="http://www.wired.com/threatlevel/"&gt;Threat Level&lt;/a&gt;. In the first, Rep. Linda Sanchez defends her, possibly overbroad, &lt;a href="http://www.wired.com/threatlevel/2009/05/lawmaker-defends-imprisoning-hostile-bloggers/"&gt;anti-cyber-bullying law&lt;/a&gt; with the argument that it&amp;rsquo;s only aimed at hostile bloggers.&lt;/p&gt; &lt;p&gt;In the second, a court &lt;a href="http://www.wired.com/threatlevel/2009/05/court-upholds-hacking-conviction-of-man-for-uploading-porn-pics-from-work-computer/"&gt; upholds a hacking conviction&lt;/a&gt; for a man who used his work computer to upload nudie shots. The hacking law was never intended to be used to turn work policy violations into crimes, but there it is.&lt;/p&gt; &lt;p&gt;Here&amp;rsquo;s hoping that U.S. Lawmakers are able to understand the relationship between these two stories.&lt;/p&gt; &lt;p&gt;&lt;small&gt;&lt;a target="_blank" href="http://creativecommons.org/licenses/by/2.0/" title="Attribution License"&gt;&lt;img width="16" height="16" border="0" align="absmiddle" alt="Creative Commons License" src="http://www.quietbabylon.com/wp-content/plugins/photo-dropper/images/cc.png" /&gt;&lt;/a&gt; &lt;a target="_blank" href="http://www.photodropper.com/photos/"&gt;photo&lt;/a&gt; credit: &lt;a target="_blank" href="http://www.flickr.com/photos/20158323@N04/3091394494/" title="SliceofNYC"&gt;SliceofNYC&lt;/a&gt;&lt;/small&gt;&lt;/p&gt; &lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/05/08/threat-level-context/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/05/08/threat-level-context/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:217162</id>
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    <title>Thailand 1one</title>
    <published>2009-04-29T14:46:07Z</published>
    <updated>2009-04-29T14:46:07Z</updated>
    <content type="html">So far, the most striking thing is the porosity of the place. I'm used to the kind of environment where weather means weather-stripping and sealed entrances. Here, it's leaving your shoes outside. It's stores that spill onto the street. The front entrance of houses are garage doors that stay open.&lt;br /&gt;&lt;br /&gt;The blurriness bleeds over into the conceptual.&lt;br /&gt;&lt;br /&gt;Out with my host's family for lunch. We're sitting at a restaurant, meaning in an open grass roofed hut thing, ordering food. But the papaya salad at the restaurant isn't all that good (so says mother). So daughter goes across the street to a vendor's cart, buys the better papaya salad, brings it back for the meal. &lt;br /&gt;&lt;br /&gt;Nighttime, riding the back of a motor scooter through the main strip of Ban Phe, while a festival rings on. It took me awhile to realize what felt so missing: streetlamps.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:217079</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/217079.html"/>
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    <title>All Built and Rebuilt</title>
    <published>2009-04-26T02:46:29Z</published>
    <updated>2009-04-26T02:46:29Z</updated>
    <content type="html">Hello from Las Vegas.&lt;br /&gt;&lt;br /&gt;I've been (slowly) trickling up photos from the travels. Here are some pictures of Vancouver. On Twitter, emily and I decided that Vancouver was the City of Glass and Moss.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/lot49a/sets/72157617323552372/"&gt;Vancouver - Glass&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/lot49a/3474394181/" title="Soar by lot49a, on Flickr"&gt;&lt;img src="http://farm4.static.flickr.com/3042/3474394181_9096c2e600.jpg" width="500" height="375" alt="Soar" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/lot49a/sets/72157617158758931/"&gt;Vancouver - Moss&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.flickr.com/photos/lot49a/3469778095/" title="Moss Garden by lot49a, on Flickr"&gt;&lt;img src="http://farm4.static.flickr.com/3505/3469778095_01682f300b.jpg" width="500" height="375" alt="Moss Garden" /&gt;&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:216663</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/216663.html"/>
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    <title>Seattle Underground</title>
    <published>2009-04-21T08:28:33Z</published>
    <updated>2009-04-21T08:28:33Z</updated>
    <content type="html">Tired of constant sewage flooding and 20' pot holes, after the great Seattle fire of 1889, the city council decided to do something about it. They build new roads 1-2 stories above grade and forced everyone to build their buildings to reach up to the new heights, leaving an extensive network of underground warehouses, haunts and establishments. This in the saloon/seamstress district.&lt;br /&gt;&lt;br /&gt;This was not an instantaneous process, it took several years for the project to be completed in various stages.&lt;br /&gt;&lt;br /&gt;Hilarity ensued.&lt;br /&gt;&lt;br /&gt;Photos to come.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:216436</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/216436.html"/>
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    <title>Help? Parking in Toronto</title>
    <published>2009-04-17T22:46:21Z</published>
    <updated>2009-04-17T22:46:21Z</updated>
    <content type="html">Pamela is heading to Toronto on Sunday for some Trial work. She's planning to drive but her plan for having a parking space in the city while she worked has fallen through.&lt;br /&gt;&lt;br /&gt;Does anyone have a spot she can use for a week or suggestions on where she could leave her car?&lt;br /&gt;&lt;br /&gt;Let me know!</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:216147</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/216147.html"/>
    <link rel="self" type="text/xml" href="http://snowmit.livejournal.com/data/atom/?itemid=216147"/>
    <title>Photo nerd help corner</title>
    <published>2009-04-13T18:44:00Z</published>
    <updated>2009-04-13T18:44:00Z</updated>
    <content type="html">So after some people suggested that I try using RAW files, I am doing it. However there is one HUGE problem. I tend to take a lot of photos and I have this here little laptop. Photos used to be about 2Mb but the RAW ones are 10MB. This is too many megabytes! I'm going to spend all of my time deleting and moving around photos on my poor little laptop.&lt;br /&gt;&lt;br /&gt;What are my options here? And why would I want to use this format that uses 5x as much space on the old hard drive?</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:216036</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/216036.html"/>
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    <title>Surprised</title>
    <published>2009-04-07T00:17:34Z</published>
    <updated>2009-04-11T22:20:52Z</updated>
    <content type="html">It takes a special kind of awesome to arrange for a surprise birthday party 6 months after someone's actual birthday (which, you may recall I spent holding a spot for the NDP outside the debate and then having food with Audra and some NDP folks).&lt;br /&gt;&lt;br /&gt;Big thanks to everyone in Vancouver who was able to come out on April 1st!</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:215553</id>
    <link rel="alternate" type="text/html" href="http://snowmit.livejournal.com/215553.html"/>
    <link rel="self" type="text/xml" href="http://snowmit.livejournal.com/data/atom/?itemid=215553"/>
    <title>Clinging to the Edge of History</title>
    <published>2009-03-25T18:33:08Z</published>
    <updated>2009-03-25T18:33:08Z</updated>
    <category term="canada"/>
    <category term="criticism"/>
    <category term="complaining"/>
    <category term="business"/>
    <category term="book"/>
    <category term="politics"/>
    <content type="html">&lt;p&gt;&lt;a title="Anarchism" href="http://www.flickr.com/photos/24293932@N00/2215280811/" target="_blank"&gt;&lt;img class="alignright" style="border: 0pt none;" src="http://farm3.static.flickr.com/2260/2215280811_56580f1f0a_m.jpg" border="0" alt="Anarchism" width="180" height="240" /&gt;&lt;/a&gt;Everywhere I go, I carry a pen and a stack of 3&amp;#215;5 index cards held together by a binder clip. It&amp;#8217;s a &lt;a href="http://www.43folders.com/2004/09/03/introducing-the-hipster-pda"&gt;Hipster PDA&lt;/a&gt; 1.0, from before all those &lt;a href="http://www.diyplanner.com/templates/official/hpda"&gt;apps got installed&lt;/a&gt;.&lt;/p&gt;
&lt;p&gt;On one of these cards are the words:&lt;strong&gt; &amp;#8220;Entrepreneurship is alive and well at the Anarchist Book Fair&amp;#8221;&lt;/strong&gt;. I wrote them last spring, during a trip to Montreal. This is kind of condescending thought that runs through my head when I see idealist-ideologues try to navigate the shoals of reality.&lt;/p&gt;
&lt;p&gt;The book fair is &lt;a href="http://www.anarchistbookfair.ca/en/"&gt;annual&lt;/a&gt;. It&amp;#8217;s a focal point - the anarchist social event of the year. People travel from all over Canada and the U.S. to visit friends, network, run workshops, and party. The contradictions don&amp;#8217;t seem to bother anybody.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;It&amp;#8217;s literally an anti-capitalist marketplace,&lt;/strong&gt; crammed to the gills with people selling books, t-shirts, pins and paraphenilia. It&amp;#8217;s a weird, vibrant mirror of a county craft fair, complete with live music, hidden bottles of booze and a snack booth (vegan, organic and sustainable, we are told). And why not? Anarchists need to eat, same as everyone else. The clothes are fashionably ragged, instead of old and faded. The patches are silkscreened with black instead of embroidered in red white and blue. There are cupcakes. When the police stop by to let the organizers know that the skinhead rally has been broken up, they get booed.&lt;/p&gt;
&lt;p&gt;Capitalism is on the run, have you heard? The Financial Times is &lt;a href="http://www.ft.com/cms/s/ae1104cc-f82e-11dd-aae8-000077b07658.htm"&gt;running a whole series&lt;/a&gt; on what comes next.&lt;/p&gt;
&lt;p&gt;I wonder what the fair will feel like this year. What will the mood be? Triumphant told-you-sos? Gleeful excitement at the opportunities for effecting change? Will there be the same cold worry that the rest of us feel, that the collapse might be real and total and we might not get back up? I&amp;#8217;ve met them. When they aren&amp;#8217;t writing autonomous anti-oppressive zines, they work in the service industry. They don&amp;#8217;t have severance packages, they have 2 weeks notice. And they are living paycheque to paycheque or worse. &lt;strong&gt;How many anarchists will look in their wallets and decide they can&amp;#8217;t make the trip this year, due to the impending collapse of capitalism.&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Does it sound like I am making fun of these contradictions? I assure you I am not. It&amp;#8217;s these kinds of barely held tensions that keep a movement alive and dynamic. And we need a vibrant anarchism. We need one that is not caught up in internal struggles of self-definition and specialist rhetoric. &lt;a href="http://www.kk.org/thetechnium/archives/2009/02/collapsitarians.php"&gt;Come what may&lt;/a&gt;, there is a lot of work that needs doing that doesn&amp;#8217;t necessarily get &lt;a href="http://twitter.com/themediaisdying"&gt;done by businesses anymore&lt;/a&gt;. The more people offering solutions, the more likely it is that one gets found.&lt;/p&gt;
&lt;p&gt;Who am I kidding? The answer to the Financial Times&amp;#8217; question is probably &amp;#8220;more capitalism&amp;#8221;.&lt;/p&gt;
&lt;blockquote&gt;&lt;p&gt;The Anarchist Bookfair collective affirms and promotes values of mutual aid, direct democracy, anti-authoritarianism, autonomy and solidarity. &lt;strong&gt;We reiterate our opposition to capitalism&lt;/strong&gt;, imperialism, patriarchy, heterosexism, racism, colonialism, statism and all other forms of oppression; &lt;strong&gt;we will not accept anyone to participate in the Anarchist Bookfair that perpetuates or promotes these attitudes&lt;/strong&gt;.&lt;/p&gt;&lt;/blockquote&gt;
&lt;p&gt;-from &lt;a href="http://www.anarchistbookfair.ca/en/node/4"&gt;Montreal&amp;#8217;s Anarchist Bookfair statement of principles&lt;/a&gt;&lt;br /&gt;
&lt;small&gt;&lt;a title="Attribution-ShareAlike License" href="http://creativecommons.org/licenses/by-sa/2.0/" target="_blank"&gt;&lt;img src="http://www.quietbabylon.com/wp-content/plugins/photo-dropper/images/cc.png" border="0" alt="Creative Commons License" width="16" height="16" align="absmiddle" /&gt;&lt;/a&gt; &lt;a href="http://www.photodropper.com/photos/" target="_blank"&gt;photo&lt;/a&gt; credit: &lt;a title="anarchosyn" href="http://www.flickr.com/photos/24293932@N00/2215280811/" target="_blank"&gt;anarchosyn&lt;/a&gt;&lt;/small&gt;&lt;/p&gt;
&lt;p style="border: 1px solid black; padding: 3px;"&gt;&lt;strong&gt;Originally published at &lt;a href="http://www.quietbabylon.com/2009/03/25/clinging-to-the-edge-of-history/"&gt;Quiet Babylon&lt;/a&gt;. You can comment here or &lt;a href="http://www.quietbabylon.com/2009/03/25/clinging-to-the-edge-of-history/#comments"&gt;there&lt;/a&gt;.&lt;/strong&gt;&lt;/p&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:214840</id>
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    <title>Tumblr</title>
    <published>2009-03-15T15:43:26Z</published>
    <updated>2009-03-15T15:43:26Z</updated>
    <content type="html">The thing about &lt;a href="http://www.quietbabylon.com/"&gt;the blog&lt;/a&gt; is that it sometimes takes awhile to write posts and I wish that more people read it and commented and there was interaction and feedback and such on. It's mild anxiety and feeling like I don't spend enough time on it and that I'm not getting the reward for the time I spend.&lt;br /&gt;&lt;br /&gt;But Tumblr. I love having &lt;a href="http://mini.quietbabylon.com/"&gt;my Tumblr&lt;/a&gt;, it's just a list of things I think are cool. I don't really care if anyone reads it, I've been updating it for days without anyone even knowing it was there.&lt;br /&gt;&lt;br /&gt;(This is me mentioning the &lt;a href="http://mini.quietbabylon.com/"&gt;Tumblr I set up&lt;/a&gt;.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:snowmit:214711</id>
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    <title>Desktop</title>
    <published>2009-03-14T18:28:39Z</published>
    <updated>2009-03-14T18:28:39Z</updated>
    <content type="html">I think that contrary to all the people with fun or cheesy or guilty pleasure pictures on their desktop I can say that mine is genuinely embarrassing. Instead of a pretty desktop I have this ridiculous self-help notes to myself thing with a flow chart in the middle. A FLOW CHART.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://pics.livejournal.com/snowmit/pic/0000bc35/"&gt;&lt;img src="http://pics.livejournal.com/snowmit/pic/0000bc35/s320x240" width="320" height="200" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I think that I might change my desktop after this.</content>
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